Play toy and hobby illustrates knowledge work

My husband has found a new love: nanoblocks It started out innocently – a single package to entertain a young guest. A few single packets later, he requested the ‘free build’ multipacks for his birthday. Loving spouse that I am, I acquiesced not aware of his emerging passion. Now there are custom patterns, stacks of boxes of block pieces, a shelf full of completed objects and entering competitions.

NanoblockDogs

Breed of Dogs, custom creations by Robert Heslan

What does this have to do with knowledge work? There’s a great parallel!

Inspiration for knowledge work analogy

There are two broad groups of nanoblockers: Those who get the model packs with a pattern and follow the instructions to create an artefact; and those who come up with their own creations without following a documented pattern, producing a facsimile of something in the world or a unique creation from their imagination.

This is a great analogy for differentiating knowledge workers from people who work with knowledge. Knowledge workers are a special class of workers. They can go beyond following the documented pattern or knowledge of others and create new knowledge.

All workers may produce knowledge artefacts, i.e. a report, a presentation, a completed form, a completed process. However, knowledge workers produce artefacts with new knowledge. They actively grow and cultivate knowledge that becomes the valuable content in the artefacts.  The ‘newness’ may be insights, advice or recommendations, a method or a narrative.

The knowledge work of nanoblocks

Beyond using and crafting nanoblock creations, Husband has also got into ancillary knowledge creation activities: he’s joined a Community of Practice; he’s created new tools to assist his actions; and he’s sharing his new knowledge actively and regularly with others.

His passion spilled over first into making a Facebook page to show off his creations (check it out!): creations where he followed someone else’s pattern, and those he composed himself.  Likeminded people found him, and he found others so he joined with them in an online Community of other nanoblockers. In this community, he found himself actively involved in a robust discussion about the credit and recognition of knowledge work (aka IP). Without knowing him personally, you won’t appreciate how extraordinary that is – he’d be a hermit if he had his way!

To be able to share his knowledge creation work with the community, he found he needed a way to capture the knowledge in his head to mobilise and make it definitive for someone else to apply. First he took photographs of each stage of building an object (layer by layer).

But he found it difficult to show useful orientations for someone else to understand what to do and thus copy the build.  He wanted to present his knowledge in images not text; so people could look at images and copy them rather than read written instructions – which would have been very difficult to compose. So he investigated tools for visual creation, like CAD (computer aided design). He found a LEGO® specific one but not one for nanoblocks. And as nanoblocks have a different connection mechanism – the LEGO one just wouldn’t do. He spent the winter of 2014 painstakingly measuring and creating blocks in CAD to get a set of 33 blocks/images.  As a result he could create the set of pattern instructions in colour and multiple orientations very easily. And then he wrote about this process (including graphics) and shared that knowledge!

(For true knowledge workers, it’s not uncommon to creation new tools and methods to represent or curate the new knowledge being created. There is a double level of activity going on: doing the work, plus reflecting on and improving how to do the work.)

When he shared these pattern instructions with the community – they immediately saw the potential of using the images of individual blocks to develop a database/register of blocks.  In the database, meta-data could be captured for each block and enable a consistent reference to blocks, particularly when people were seeking special blocks to solve a particular build or design problem.

It’s an example of two Knowledge Creation phases

His approach to designing new nanoblock objects follows the Develop and Produce phase that I’ve written about in previous blog posts.

In the Develop Phase … He looked about in world for objects he wanted to copy or represent. He checked if a nanoblock pattern existed – often there wasn’t one suitable. So he chose to come up with his own design.  He would get his set of nanoblock containers out and see what shapes he had to play with. He would gather a likely volume of certain shapes he might need and start building.  Following a highly iterative process he gradually figure out the final size, colour, granularity of shape in detail with the blocks, and working components. Yep, these aren’t static objects; he’d graduated to creations with moving parts, e.g. Melbourne Southern Star Ferris wheel.  (His first pattern was an Eskimo dog – in different variations that became a family of adult and puppy dogs.)

At first knowledge creation was in his head and in the prototype the he produced so the idea could be refined, then tested/valued by others. Next he utilised photography to capture knowledge of the final version and the build stages, evolving quickly to using the CAD patterns … completing the Produce phase.

 The evolution

Now he rarely buys a ‘packet’ for a singular object unless it has a unique block or set of colours he can use to solve a design problem in his own creations. What started out as simply applying someone else’s knowledge, has turned into a knowledge production factory.

Recently the love affair went to a whole new level.  He’s written and published a story about how he got into nanoblocks. A complete stranger asked him to do this, and he agreed.  This from the man who says it’s a lot of work to put a few sentences into my birthday cards!

He’s entered some of his creations into competitions sponsored by the nanoblock toy production company. A very astute business decision by them to tap into the cognitive surplus of the nanoblock hobby world and get product ideas for low cost.

I wonder if there is such a thing as a nanoblock widow? At least I got great content to write this blog post. 😉

 

Helen Palmer is Founder of RHX Group, a boutique agency that partners with people who want to make change in how they work with information and knowledge.  She thinks critically about knowledge work, and how to ensure knowledge isnt wasted. She revels in making small changes that disrupt the way people think and what they do.

Two knowledge creation phases: Develop knowledge & Produce knowledge (Part 2)

In Part 1 of a two-part blog, I explained two separate but related phases in Knowledge Creation: Develop, where raw ideas are created as malleable knowledge elements; and Produce, where the knowledge is refined into polished deliverables to be valued and used by others.  In this blog, I go deeper into what my personal knowledge creation practice looks like in these two phases.

Develop Phase – what happens!

I observe and note things that capture my attention. I read or listen to inspired or intelligent people and think about what they are sharing. I talk with others in stimulating conversation. I sit with pen and paper and write what comes to me – a stream of consciousness. I reflect, and mix and merge form new thoughts and ideas. In this phase, much of my knowledge creation work is internal within me.  And while some of the thought is encoded in my notes, the bulk of the knowledge is not yet available or accessible by others. It is knowledge in tacit and implicit forms. Only when I start to encode my thoughts into symbols, or form them into concepts or models, can they can be tentatively explored in interaction with others.

Time spent in the Develop phase can be long – and that’s okay. It’s about quality, not speed. I like for my ideas to marinate and be iteratively explored. Albert Einstein had a analogous view about proportions of time in problem-solving: “If I had an hour to solve a problem, I’d spend 55 minutes thinking about the problem and five minutes thinking about solutions.”

Practices I follow in the Develop phase :

  • Be as free-form and raw as possible when documenting the emerging knowledge. Use rough forms to capture ideas: sticky notes; phrases (not sentences); and bullet points (not prose).
  • Outline ideas to frame emerging thoughts. If a template artefact is involved, I extract the outline decoupling it from its format and prescribed order. (Once knowledge is structured in a working outline, it can be more readily considered for various production formats.)
  • Use modular or elemental form. Having ‘parts’ allows reorganising and trying different connections and couplings. (It’s like what my aunt does when she’s quilting. She prepares her fabrics and squares so she can play with them to explore possible quilts products, all without having to stitch it together.) Such flexibility means I can test combinations for different situations or formats.  And with the non-diminishing characteristic of knowledge, from one batch of developed content, multiple products are possible!
  • Keep the content as raw as possible. The more finished the content is, the more difficult it is to cull or reorganised. It’s an emotional barrier rather than a functional barrier because of the perceived loss of effort invested in word smithing, polishing and refining. This refinement also tends to ‘fix’ the content making it harder to be repurposed or re-used. I remind myself I have permission in the Develop phase to stay loose, and be messy!
  • Seek old products (my own or others) to harvest for knowledge I can repurpose or reuse. I have to resist the temptation to Save As on finished products that I am re-purposing – I might unintentionally lock myself into a Production format too early or that is wrong fit.
  • Use non-production tools like MS OneNote, sticky notes and scrap recycled paper (it’s not clean and fresh on purpose) and pens/pencils. Learn more about how I use MS OneNote.  (I’ve got a colleague who’s working on a new tool for collaborative knowledge creation: TribalMind – it’s in beta so why not play with it and share your thoughts with the creator.)
  • Give myself permission to keep the knowledge close and not release it widely, if that’s what I feel comfortable with. Sometimes I have been accused of not sharing, of playing power games or being a perfectionist. I’m believe that knowledge in the Develop phase sometimes simply isn’t ready to be shared, and may not be sharable because it’s not yet in forms or symbols that others can access or read.
  • Set good expectations with collaborators about the kinds of input or ‘feedback’ that are acceptable in Develop phase (compared to Produce phase). Censorship or editorial judgement is not appropriate for Develop phase content. Appropriate treatment is critical thinking: Is this a good idea? Is there a better idea than what I’ve got? What knowledge is missing?

A challenge of the Develop phase is making some of the knowledge Mobile (across space and time) so others can collaborate. Mobile forms of knowledge start to take on the forms of particular genre, e.g. a blog, a report, a document. Then the knowledge starts to look like a Product or the thing that would come from the Produce phase. And things that look Product-like, attract Produce-like behaviour, e.g. a critique or proof reading.

Produce Phase – what happens!

In the Produce phase, I firm up the Developed thoughts for the purpose of making it of value to others. I turn words and images into finished product with an audience in mind and a defined purpose or context. These constraints filter which parts of raw and half-baked material will make it into a product that can exist apart from me. It becomes knowledge in an explicit form that can be readily accessed and used by others.

The time required to move through the Produce phase depends on the type and quantity of products – more than one product is possible for different audiences and purposes. Arguably, if the Develop phase was thorough, then Production can be quick. The Produce phase is about packaging the knowledge, and the quality of the package depends on the quality of its original content.

Practices I follow in Produce phase:

  • Use models about communication and learning styles to shape the nature and format of the finished product.
  • Get creative about the way I might package the knowledge. Check out some example’s to stimulate your thinking.
  • Use templates to quickly shift raw material to publication ready in the desired format. (For a workshop, I’d use a session plan.)
  • Test the draft product with the intended audience and their intended use/context. Use their critique to refine to a polished product.
  • Use production-specific tools and leverage their production-specific features. For example, word processer like MS Word and Styles, Table of Contents and Cross-referencing features; and Adobe Acrobat PDF creator which preserves hyperlinks and Table of Content/Outline features.
  • Engage a collaborator who writes in Plain English to rewrite raw content with a fresh perspective and a talent for simplification.

There are many examples of my Produced knowledge you can access and share, that were created to be of value for knowledge workers:

1. A tool to use in your day-to-day work: Making and applying an Activity-Time budget

This blog post is one Product that has come from creating this particular knowledge. There is also a Module in a Learning Programme and a stand-alone Workshop. And that knowledge creation is nested in a broader knowledge creation activity on the concept of ‘Practices for Effective and Productive Knowledge Workers’.

2. A concept to reset your mental paradigm about your and work: Self unLimited – A vocational adventure for the 21st century

This is a Product that has come from creating the ‘Self unLimited’ body of knowledge. [As at 2017  a Learning Program and a book have emerged. The journey over past five years has involved contexts that triggered thoughts about gaps or opportunities to redress with new developing content.]

Rubber Hits the Road

This blog you are reading now was written in two phases. The Develop phase started two years ago! I intentionally wrote some rough notes to start to capture and organise my thoughts. Then I shared the concept in conversation with different people. And as new insights or refined concepts occurred to me, I added to those notes. From time to time, I would re-read the notes. Then months passed as I waited to see if the tentative knowledge felt right, or a fresh realisation had emerged.

The Produce phase for this blog started two months ago and involved me and one other. In moving to Produce phase, I created headings and initially organised the content into a logical flow, dumping some parts altogether, and putting some parts aside for another blog (and its own Develop phase). Then I sent it to my friend who turned rough blocks of text into meaningful prose – simplifying meandering sentences and refining bullet points and phrases into polished succinct text as fit a ‘blog’ format. This friend was a ‘Synthesiser’ helping me with the Develop-phase-to-Produce-phase transition.  With a really excellent draft, I then played my final part as the author of the concept, to fine-tuning nuance and flow to arrive at a blog ready to publish.  And this is what you are now reading.

Phew! Knowledge creation work is hard work.

 

Helen Palmer is Principal Consultant at RHX Group. She thinks critically about knowledge work, and how to ensure knowledge isn’t wasted. She revels in making small changes that disrupt the way people think and what they do. With her colleagues at RHX Group, Helen helps teams get best value from their people and knowledge.

Exposing the design behind a new-style resume

Late in 2013, guest author to this blog Christoph Hewlett shared his thoughts on using a knowledge product I created: a new style resume.

In response to requests for insights about the WHAT and WHY of the resume design, I provide the following details.

The basic design

Resume is four pages; no more, no less.
Each page has specific content:
Page 1 – Contact details, Description, List of Key Skills or capabilities
Page 2 – Portfolio: List of selected items of work experience
Page 3 – Testimonials: Excerpts of recommendations that relate to the Portfolio items
Page 4 – Qualifications: list of selected items; Work history: Job Title, Organisation, Dates for all your working life

The order of the content

There is a logic in why the content is laid out in a particular order.

Page 1 is the page likely to get the most attention from your reader. Therefore it needs the most important information: how to get in contact with you; what to remember about you (you description should be memorable!); and the set of capabilities that make you useful and desirable.

Page 2 is a tailored list of things you have done, that show what you are capable of and which show you in your best light. This content differs than normal work history in a number of ways:
* You can include small items, e.g. An interesting blog post you wrote; a powerful introduction you facilitated; as well as large items, e.g. A project you managed.
* You can include old items, i.e. something you did 20 years ago, as well as recent items. Traditional resumes tend to drop off content that is not recent, i.e. last 5 years. This hides the fact that you have more experience that could be relevant or transferable than what you’ve done in the past 5 years.
* You can include extracurricular items that doesn’t have any place to go in the traditional resume because they aren’t related to a job, e.g. Social media activity; leadership in a professional association; or volunteer role.
* You can be specific and concrete, and mix activity with achievement or purpose – thus give more interesting and relevant information:
Compare “Managed large projects” with “Managed the ABC Project with $500K budget and team of 20 people, delivering on time and within budget.”
Compare “Made a blog” with “Designed, built and maintained professional blog with insights and inspiration for people  leading knowledge workers or doing knowledge work (https://rhxthinking.wordpress.com)”

Page 3 is content that provides ‘social proof’ about your experience and talents.
Some of the good things  said about you in the past, are still useful to your story even when you’ve lost contact with the person or they are not available to be a verbal referee.

Don’t leave your reader waiting to talk to referees to learn what others think about you! Provide this knowledge as soon as you can for the most positive effect.

Page 4 is the facts that need to be evident and can be checked out if necessary. This is typically not the content that is going to sway somebody towards favourably considering you – however, it’s due diligence that this information is available. The work history is downgraded content – this means presenting information in an order, where what you are capable of, is more important than the job titles you have held in organisations.

Content for the pages

A. Reuse content you have
For this new style of resume, you can reuse content from your traditional resume for Pages 1 and 4.

For Page 1 content, make sure you include ways to contact you in writing and in voice. If you have quality online profiles (e.g. LinkedIn), you could include a hyperlink.

Consider including a quality photograph.

Have a description that is more akin to a bio (though write it in first-person) and includes a sense of where you’ve been, where you are and where you’re going.  For good advice, see article ‘Does your resume tell your story?’

Be memorable; be interesting.

For Page 4 content, include Qualifications or Certifications rather than listing courses you have been on. If you wish to promote the fact that you are continuing to learn – then add that content under the Skills section or a relevant item or two in the Portfolio section.

Keep the list relevant to the audience, so be prepared to adjust this content each time you use the resume. For example, your First Aid Certification is probably not so relevant if you are applying for a Leadership role.

B. Gather and Create content you need
For this new style of resume, you probably don’t have content ready to include on Page 2 and Page 3.

For Page 2 content look back over your work life; use your old resume as a prompter and compose a list (a looong list!) of work experience items. For examples of items, see a copy of one of my resumes (MS Word DOC).

Organise the items under headings that relate directly to the audience of your resume. Where your audience is a recruitment panel or HR personnel filtering applications in response to a job advert, use the headings from the Position Description.

Include hyperlinks to online examples, or reference material relating to the items.

I keep my lists of content on pages within a MS One Note notebook, in the right typeface and font size for me to simply cut-n-paste the items into the resume when it is being constructed. Here’s a screenshot of a page in the context of a notebook.

Screenshot of Portfolio List in OneNote

For Page 3 content you’ve got old content to reuse, and new content to get:
a) Look through old letters of Reference and review Recommendations that have been posted online; extract short excerpts that are relevant to reuse.  Don’t be afraid to cull words – though be sure to use conventions that show if you have edited someone else’s quote.

b) Ask people for Recommendations. Ask people from your past to provide relevant content. When you are finishing up a job or project, ask people to compose you a Recommendation.

To get better quality recommendations, read this blog post.

Whether it’s old or new content, all recommendations should support what you have chosen to include in the Portfolio section on page 2.

Supplementing the resume

Your resume is a marketing document for a target audience. It isn’t a record of all the details of your work history – keep that worthy information somewhere else. I use a MS OneNote notebook to store items for the Portfolio page and Testimonial page, as well as results from assessments I’ve done, bios I’ve written for myself, and reflections about work I’ve done. The image above gives you a taste of my collection.

Just one resume?

Above is the advice for a single resume. It is entirely possible that you have a suite of resumes, tailored to a different theme or focus.  I have 6 basic resumes: 5 follow the format above for the themes of Change Management, Enterprise Business Analysis, Learning & Development, Leadership, Information Management. The sixth resume is an Academic resume and conforms to expectations of the structure and content for Academia.

For each resume theme, I change the following:
The Description on Page 1
The order of the Skills on Page 1 (put the most relevant first)
The Portfolio headings and items on Page 2
The Testimonials on Page 3

My resumes get used as an Appendix in a Tender, as an Introduction to an Agent, and as an Application for a Vacant Position. For each of these situations I change the content to best address the anticipated needs of the audience.

 

If you are inspired to use this new design, let me know how it goes. Please share with me any ideas you have to extend and enhance the design.

 

Helen Palmer is Principal Consultant at RHX Group. She thinks critically about knowledge work, and how to ensure knowledge isn’t wasted. She revels in making small changes that disrupt the way people think and what they do.  With her colleagues at RHX Group, Helen helps teams make better use of their people and knowledge.

 

Let others know – generating goodwill for your contacts

Knowledge work is often associated with Social Capital, that is, a collection of trusted meaningful relationships. One way to build social capital is to publicly value a person for the difference they have made with their talent, knowledge and character. It’s more than simple gratitude; it’s letting others know about the value of a person. There is much evidence that we respond strongly and easily to the ‘social proof’ from a trusted source about the quality of another person and their offering.

I recently overheard this intriguing phrase about networking: “I collect good people”. Putting your thoughts into tangible words makes visible the quality of the relationships in your collection of ‘good people’.

The What and How

Digital networking tools like LinkedIn make it easy for you to publish a recommendation. The common hurdle is knowing What to write and How to write it. Here is an approach to deftly leap that hurdle.

Step 1: Decide on a focus or theme

If you have the opportunity, ask the person you are writing about to indicate to you what focus they would most value in a recommendation. For example, they may be a great Project Manager and that’s what you thought you would focus on; however, they would most value a Recommendation about their Leadership capability.

Step 2: Write answers to the following questions.

A.  What was the situation in which I experienced/engaged with PERSON-X?
B.  What did PERSON-X do to make a real difference?
C.  What was the result of what PERSON-X did? (What did I gain? What was the difference that was made?)
D. What do I really like about PERSON-X? (could be about style/approach, character, value, etc.)
E.   What would be my reason to recommend PERSON-X to others?

Step 3: Turn the answers into a short paragraph of prose.

a. Keep it short and smart
I choose to define a Recommendation as a very short piece of text (maximum 4-5 sentences; 80-100 words) that can be inserted into other documents. It is not a Reference Letter. It is succinct, targeted and typically only covers a small aspect of a person. A quality recommendation has depth rather than breadth.

b. Avoid writing the prose for your answers in the order of the questions.
For good advice about the order of what you say (i.e. the value of WHY before WHAT) listen to Simon Sinek talk about Golden Circles in his presentation at TEDx.
http://www.ted.com/talks/simon_sinek_how_great_leaders_inspire_action

c. Make the sentences powerful and meaningful. Include adverbs and adjectives.
Here’s some samples.

WEAK = He gave good advice about what to do.
STRONG = He gave practical advice we could easily implement.

WEAK = She facilitated a workshop about X.
STRONG = She masterfully facilitated an enlightening workshop that shifted our thinking about X.

WEAK = He mentored me and now I see things differently.
STRONG = He mentored me sharing his expert knowledge and asking me challenging questions so I looked at things with a new perspective.

WEAK = She worked with our staff in many situations.
STRONG = She sensitively worked with different groups of staff adapting her communication style to best fit the situation.

WEAK = He always did good work.
STRONG = His work product was consistently of a high quality and his work style was professional.

d. Have a Thesaurus on hand; it helps to avoid reusing the same descriptive words.

Step 4: Share the recommendation (either publish online or send to person in a message)

Recommendations don’t have to be published in LinkedIn.
You might send the recommendation directly to the person with your permission for them to use the exact words (or a subset) in a cover letter, resume or selection criteria table, or in other promotional material.
You might send the recommendation in a message to a specific individual as part of making an introduction between two of your contacts.

Doing it for real

Here’s a real example, following Steps 2 and 3 above.

The Questions & Answers

A.  What was the situation in which I engaged with Emma?
Taking portrait photos for business use

B.  What did Emma do to make a real difference?
Listened to what we wanted and integrated that in her suggestions
Gave practical advice to prepare for the photos about location, timing of day, colours of clothes
Made us feel at ease during the shoot
Experimented with different poses

C.  What was the result of what Emma did?
High quality photos that we are proud to show
Ready-to-use images that have a relaxed professional vibe

D. What do I really like about Emma? (could be about style/approach, character, value, etc.)
Her relaxed nature in taking the shots
Her interesting ideas for different looks/poses

E.   What would be my reason to recommend Emma to others?
She provided an enjoyable experience to get great product
Great value for price

The Prose

 “Emma Smart artfully gave us an enjoyable experience as she took portrait photos for our business use. We are very proud to use the classy photos with a relaxed professional vibe. Such great photos are the result of a partnership with Emma in choosing location, time of day and poses plus her relaxed nature which put us at ease during the photo shoot.  It was an excellent investment to utilise Emma’s talent to get beautiful images.”
~ Helen Palmer, Director, RHX Group

Note: There are phrases in the prose that weren’t in the answers to the questions above. That’s a good thing! When writing the prose, I got additional inspiration about what to say and how to say it.

Get going

Don’t wait to be asked. Do it because you can.
Schedule 1 hour in the coming week to identify someone worthy and write them a recommendation.

 
Helen Palmer is Principal Consultant at RHX Group. She thinks critically about knowledge work, and how to ensure knowledge isn’t wasted. She revels in making small changes that disrupt the way people think and what they do.  With her colleagues at RHX Group, Helen helps teams make better use of their people and knowledge.

 

Reduce knowledge loss with Knowledge Transfer Report

Retention of Critical Knowledge (or ROCK) is a popular concern in organisations or groups with retiring workforce or turnover of personnel.

Often initiatives to retain knowledge focus on turning the details of what people know into codified forms or documentation. This makes it more possible for others (maybe unknown today) to read (or watch) in a different place or at a different time.

Codifying knowledge affords an immutability and mobility of the knowledge. Immutability fixes the knowledge in time, preserving it across time. Mobility means it can move beyond its creator and point of creation.

Immutability and mobility are seductive notions for knowledge capture:

  • An upside of immutability is that you can feel certain about codified knowledge as fixed definitive content and this can give rise to a sense of community and continuity. A downside – it probably stopped being definitive before the proverbial ink dried.
  • An upside of mobility is that it can readily circulate. A downside – it needs supporting context to enable decisions about its relevance somewhere else; and if this is missing, its less usefulness is limited or non-existent.

Trying to capture a substantive portion of what a person knows in a codified form is akin to writing a book on the person. And if it gets written, will anybody have the time or motivation to read it?

How about instead writing the Table of Contents on a person’s knowledge?

Enter the Knowledge Transfer Report. A succinct document that lists all the essential important topics and points to where to get details. Those details may be explicitly in a database, website or document; or more importantly, held implicitly (or tacitly) in an individual or group of individuals.

The design of the report addresses the issue of immutability by allowing for micro details (Chapter & Verse) to change while providing macro details (Table of Contents) which are more likely fixed. The form of the report gives a vehicle for circulating the knowledge.

The Table of Contents (ToC) concept embodies an organisation structure with sequence and/or logical groupings with which to traverse a body of knowledge. It’s the map of the territory – rather than detailed step-by-step instructions. It’s scannable and doesn’t need to be ‘read’ for the user to get immediate value. Re-using the form of ToC for the report content, empowers the user of the Report the freedom to explore and discover within useful parameters.

Learn about the technique: the process and template.

Share with us about your experimentation with the Knowledge Transfer Report, and other practical ideas to enable retention of critical knowledge.

Helen Palmer is Principal Consultant at RHX Group. She thinks critically about knowledge work, and how to ensure knowledge isn’t wasted. She revels in tackling the big processes of change and learning so that ideas become impact. With her colleagues at RHX Group, Helen helps teams make better use of their people, knowledge and information.

Creatively packaging knowledge

A common response to the risk of losing knowledge is to capture or document it.  This is a worthy activity. However, how often is what is captured or documented, actually read or used? One factor may be the format or medium used to present the knowledge. This blog presents some creative  ways you might package knowledge to make it appealing, and more importantly easy to digest and thus apply.

A selection

* Recipe metaphor

One expertise I have and use is in designing and leading the change process for an organisational change.  I like to employ creative ways of engaging with people in change to providing a meaningful experience while also addressing their wellbeing (physical, mental and emotional).  I redefined a ‘go-live preparation’ activity using the analogy of air travel.  In order to share the idea with other practitioners, I used the metaphor of a recipe to explain the essential elements and thus enable others to easily replicate and even adapt the idea for other contexts.

Sample ‘Fly away together – change activity’

* Game show presentation

When the opportunity arose to present a client case-study at a conference on ‘managing change (as a designed user experience)’ , I gave the conference participants their own user experience with a game-show format. I packaged the knowledge of the case study into 12 mini packages (1 slide, 3-4 min of talking points) that become elements of the game-show. The audience chose from the 12 about the aspects of the case study they were most interested in.

Sample ‘Managing change as a designed user experience’ [45 min audio with video of the slide deck]

* Graphical resume with timeline

Somebody has already down the work of curating a small collection of resumes to inspire doing things differently. A key idea is turning your chronological work history into a graphical timeline.

Samples ‘7 Cool Resumes Found on Pinterest’

* Graphical rich report of survey results

Kea New Zealand exists to connect ‘talented Kiwis and Friends of New Zealand’ around the world. (I’m a Kiwi!) One of their activities is to survey expatriates to understand their choices about living away from NZ and engaging with NZ from a distance.  The 2013 report of this survey is visually rich in graphics, colour and icons. How more compelling is this to read and understand than pages of prose, plain tables and bullet points?

Sample ‘Kea Every Kiwi Counts 2013 Report’

* Advice about better practice in an infographic

There are often arguments that if you want to motivate people to change their behaviour you need to offer social proof; or use facts and figures; or use colourful images. Here is an example combining all of these.

Sample ‘Taking Breaks at Work’

Other advice includes provide a compelling narrative (aka story); or a large dose of humour that might trigger awareness of a reality we haven’t been prepared to face – we are laughing at ourselves!

Sample ‘How to lead a creative Life’

* Graphic recording of group conversation

One master of the art of graphic recording is Lynne Cazaly. She offers a worthwhile and recommended learning sessions called ‘Catch-It’. Learn how to visually think and record the conversation of a group in real-time. Rather than read about this – experience it!

Sample ‘Video showing graphic recording by Lynne’ (1:45 min)

Recommended reading

These references in my collection have been a source of inspiration and practical guidance to me in creatively packaging knowledge. .

I hope this selection has got your creative juices humming. As a knowledge worker we often create knowledge products – let’s find and use ways to do this innovatively.  I hope you will share other examples you have created or have seen.

Helen Palmer is Principal Consultant at RHX Group. She thinks critically about knowledge work and how to ensure knowledge isn’t wasted. She revels in tackling the big processes of change and learning, so that ideas become impact. With her colleagues at RHX Group, Helen helps teams make better use of their people, knowledge and information.

Image credit: Microsoft Online Clipart

The way of kindness

Can knowledge work be influenced by the mindset of kindness?  Why not a kindful quality of knowledge and knowledge-sharing!

I’ve recently been introduced to the World Kindness Movement (WKM). It’s based on the idea that our world will be more compassionate and peaceful if a critical mass of acts of kindness is ignited.

I had an recent inspirational and energetic conversation with Michael Lloyd-White, General Secretary to WKM and Chairman/Founding Director of World Kindness Australia who passionately shared stories of what was happening with the movement. The conversation stimulated my thinking about ways I could be a useful ‘broker’ to keep this knowledge and energy flowing. I thought of …

  • Hand ReachingThose among my contacts who would embrace such an idea and how I would approach them;
  • Meaningful messages I could share with key people;
  • Using my interest in origami to package the idea and capture an audience’s attention; and
  • Forums I could use or start, to inspire more people to act with generosity, and to recognise it in others.

Fellow travellers

The very next day an opportunity arose to actively show kindness. I was standing on Platform 2 awaiting my train to the city. I saw a guy on Platform 1 opposite dragging a large suitcase, looking perplexed. He was glancing from the train tracks to our platform filled with people, to his platform with only him, to the train schedule board. I yelled out, “Do you want the train to Melbourne?” He replied eagerly, “Yes!” I told him he needed to quickly change platforms, as the train he wanted was due any minute.

I shared relevant knowledge with someone who lacked it at a time of pressing need, and avoided an upset. (He would have had to wait an hour for another train.)

A fellow passenger, another stranger, commented on my kind act. So I told her about my recent introduction to WKM, and thanked her for recognising what I did. We then parted ways as we caught our train.

That night, I ran into the same woman again on the train home. She said she had thought of me that day. She shared her own story of how she helped out a fellow traveller with timely information they needed.

My actions in the morning had resulted in a knowledge transfer on multiple levels, and led to two pleasant encounters in Melbourne that day.

Good business: generosity at work

As a Change Facilitator, I can see ample opportunities for empathy when dealing with people in the midst of organisational change. How great to discover a group that aims to spread the idea of compassion in the workplace – so often the arena for self-advancement and competitiveness.

In an organisation, kind actions provide a more conducive environment for us to create and share helpful knowledge. It’s like a ‘good virus’ that spreads the possibility of further altruism. I am more likely to be an agent for good if I am liked, and people like the way they feel in how I treat them.

Play the Kindness Card

kindness_card_frontpageWKM has created a great initiative to capture acts of kindness – the Kindness Card. Michael gave me a card (has the appearance of a credit card) which I’ve activated on the Kindness card website and will physically pass on next time I see and can acknowledge an act of kindness. And each time it’s passed on, a story can be posted to add to other stories on the website. How much better will the world be for sharing these heart-warming moments?

How exciting to take a simple, instinctive concept like kindness, integrate it into a professional domain like knowledge management, and see what positive effects can be had. My knowledge ‘engine’ is fuelled with a warm emotional energy that I hope in turn infuses the knowledge I create and pass on.

Kindness is ‘heart’ knowledge. And we tend to focus on head knowledge. It’s time to expand our focus more holistically.

Research indicates kindness is literally in our DNA. How’s that for original tacit knowledge?

Helen Palmer is Principal Consultant at RHX Group. She thinks critically about knowledge work and how to ensure knowledge isn’t wasted. She revels in tackling the big processes of change and learning, so that ideas become impact. With her colleagues at RHX Group, Helen helps teams make better use of their people, knowledge and information.

Image credits: ‘Reaching hand’ from Microsoft Online Clipart; ‘Kindness card’ from World Kindness Australia